general fiasco

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It has been some time since I’ve committed genuine thought onto the (web)pages of this blog, and not for lack thereof – more that there has been such an unbridled sea of raw ideas recently to process that I haven’t been able to coherently staple anything together.

Sounds like a positive force, but actually it’s chaotic and very infuriating.

…but so, as happens at such sweeping occasions as the moving of one year into another, people make lists. I’m no stranger to that myself. So with the utmost bias possible, and no little shortage of hilarious internal doubt and counter-argument, here is my list of top ten bands from Northern Ireland this year.

10. A Northern Light

Quite the breath of fresh air, to see a band who genuinely want to see their audience’s earlobes bouncing with love. Americanised, full of DeLonge and very proud of it. Their launch night was easily one of the best RADAR gigs of the year, and providing that the message within their music continues to be purveyed by positivity as 2011 moves into full view, they shall continue to progress on the well crafted foundations that they’ve made. At the risk of laying down a verbal punchline, ‘Show Me What You’ve Got’.

9. Kasper Rosa

In a fashion that surpassed already high expectations the arrival of EP2 proved itself to be one of the best releases of the year, composed from a probable plethora of internal interests by Dave, James, Ryan & Steven – topped off by a masterful turn from producer Clark Phillips. After rocking out in delightful form at the Pigstock Music Festival, Kasper Rosa again packed out the Spring & Airbrake for their release launch, and deftly pocketing themselves a short tour of the UK during the Summer. As well as all that, they also landed a wonderful slot ahead of 65daysofstatic at the Mandela.

8. More Than Conquerors

Coming up strong throughout the year on a veritable string of good will, the four young lads that make up More Than Conquerors have been knocking down doors like dominoes, and as they say, no wonder. A fantastic first release which set them up from the off as an accomplished act flowed into a few high profile support slots with the likes of Ash, and as the year progressed a UK tour with Fighting With Wire. Much has been said about their fairly swift rise through the ranks and I personally can only see 2011 as being particularly exciting for them.

7. Axis Of

2010 for Axis Of consisted of a large jump in profile via touring, solid début festival performances and a fantastic music video to accompany their release of Port Na Spaniagh. Growing on stage from a punk outfit into an energetic tour de force has firmly cemented them in audiences’ around the country and much like Team Fresh, the opportunity is there for them to spring themselves further along from the platform they’ve set themselves up on.

6. Cashier No.9

Effortlessly groovy, and one of the more mature bands within the community, Cashier No.9 have been busy behind the scenes recording their new album between times regaling festival audiences with their sonic wares. A highlight at Glasgowbury as well as topping off the Belfast Music Week in September the band have been solidly increasing their stage presence throughout the year. If the stellar tune that is ‘Lost At Sea’ is anything to go by, I’ll be looking forwards to what sails out from their instruments come 2011.

5. Team Fresh

It’s no surprise that Team Fresh have bounded through this year as they did last, finally releasing their first material in a form that bottles partially some of that energy they bring with them onto the stage. This year also saw them step up to the Mandela Hall on several occasions to acclaim; not to mention once again devastating RADAR. As the new year comes into play hopefully we’ll see another spate of releases and some additional heavyset performances riding along the edge of what may in another world, be riots.

4. Paddy Nash & The Happy Enchiladas

Haven’t heard of Paddy Nash? Well you might not have – but now that the name has been introduced to you, I suggest you give him a listen. With the Enchiladas in tow, Paddy’s album When We Were Brave is one of the most heartbreakingly honest, uplifting collections of songs I’ve ever had the privilege of owning. From one end of the album to the other, the tales of Derry and beyond filter down into you, leaving only the dilemma of whether to put it all back on for another listen, or to just sit back in silence to absorb the power behind one of the great voices of Northern Ireland.

3. LaFaro

It seems we’ve been spoiled by albums this year, and hopefully next year will be no different – LaFaro’s self-titled balls to the wall affair is nothing short of immaculate. It storms your ears, holds your brain down and then asks you politely to listen, all the while staring you down and daring you to think different. I remember when I first heard it, blaring from a car stereo as the sun blazed down and the fields South of Belfast shot past the windows. Aside from spreading their brand of rock via the airwaves, they’ve also been pushing out into the world with tours of Europe, and the mainland UK with Helmet. What’s yet to really hit home I think, is the potential scale of their audience, who seem preternaturally playing catch up with them. One day hopefully, they will.

2. And So I Watch You From Afar

Striding out into the depths of both America and Europe, the four audio-hallions of the apocalypse have been working hard in 2010 – leaving no less intense a stream of flotsam and jetsam in their wake than they usually do. Then of course there’s the matter of ‘that’ tour with Them Crooked Vultures. We’ve been looking forwards to that moment when ASIWYFA jump into a more public consciousness (and fuck knows what happens when it does, I cannot fathom the unified power-bulb of thousands joining together emotionally at their hands) and it is in sight on the horizon. Perhaps it will come in 2011 alongside more touring, an even more epic gathering of far flung souls and the release of their new album. Excitement, is an undervalued word as the North coast machine rolls ever on.

1. Two Door Cinema Club

Bursting into the Summer months with a fabulous album in Tourist History, which I think has since been worn into oblivion – or at the very least soldered into my brain for ever more – Two Door Cinema Club have surpassed all that you could realistically hope for the lads from Bangor. In amongst their far reaching touring throughout 2010, the band have also clocked up appearances on Later With Jools Holland, the Jimmy Kimmel Show, Le Grande Journal and played the inaugural gig at Twitter HQ.

Nuts.

So there you have it. My little, quite insignificant but none the less hilarious viewpoint on local music over the last year. And, as with everything more fuzzy than it is quantifiable there are many omissions I’d probably prefer to have in there, many which almost didn’t make it, and many which actually didn’t; and of course those which I may have forgotten about because I’ve been known to do that.

Special mentions go out to A Plastic Rose, Colenso Parade, General Fiasco, Fighting With Wire, MojoFury & Pocket Billiards – who have all been up to no good this year in many different capacities, be it blowing festivals away, recording, releasing, touring and generally frolicking around the country plying their individual wares in the maddest way possible.

Also, in light of all the good and the great that has happened this year it is with more than a little touch of sadness that I say goodbye to the CutawaysPanama Kings & Skruff; three of my favourite bands to create rumpus around my lady parts.

Here is to 2011 being yet another step better.

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Pioneering their wares this weekend over the Irish Sea at the Reading & Leeds Festivals this year amongst others acts from the shores of Ireland such as General Fiasco, The Japanese Popstars and Two Door Cinema Club were the mighty LaFaro.

…fucking awesome.

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Owen Strathern

“It’s all quite upbeat, poppy and rocky but the contents are all pretty bleak. It was being aware of everybody wrecking themselves and not realising it. I’m sure everyone has something they really want to strive for, something they really want to achieve and it’s the frustration of not being fit to achieve it yourself and watching people not even try.”

Powerful wee words from General Fiasco’s Owen Strathern on the subtext of their album, ‘Buildings‘ that I just wandered across as I was dandering through the internet this afternoon.

August 22, 2010 | No comments

With the bubble of music here in Northern Ireland as intense as it is, it is sometimes easy to forget that the bands from here actually do quite a touch of jet-setting in their spare time. Back in May I managed to get caught up with one of its more frequent travellers John Dinsmore, lead singer of Warrenpoint born rock outfit, The Beat Poets. Always a revised source of music business information I decided to try and find out a bit more about their trip out to this year’s South By South West amongst all the usual trappings of recording, releasing and writing.

– Since you first strode out to SXSW (South By South West) last year, things have taken a fairly busy turn. You’ve been seemingly everywhere.
The best way I can put it is, it’s like running in sand. It is constantly busy but you sometimes feel like your still in the same spot. To be fair it has been a great year. We spent a lot of time working on a sound, new songs and a lot of studio visits rather than gigging – something we have never done on a large scale until now.

Most of our time previously was spent gigging without properly developing the band into a sound that we really wanted. We have been releasing constantly since last November and will continue to do so which is for me something we also neglected.

So, yeah it has been busy – mostly learning, developing and preparing to basically relaunch the band which has been growing steadily so far in 2010.

– Is there anything you did differently at this year’s festival compared to last, any lessons?
Last year we did six shows at SXSW, press and promotion mostly; which really helped put the band out in the international music scene. Particularly America and Canada, where I believe our sound would be well suited. This year was just as busy, cramped with a lot of high profile meetings and basically lining up stuff for the next twelve months. If we hadn’t of played the year previously none of the 2010 SXSW would have happened.

…kinda shows how long it takes to work an area of interest and to build on it. The biggest lesson for anyone going to SXSW is to prepare months in advance!

- It’s clear that the US is a genuine target, both touring wise and in terms of exposure. Did you feel there was much of a response from your syndications on TV show, The Hills?

I have always felt the greatest response to our music has been across the water. I don’t know any bands that sound like us over here either to be fair, but I definitely feel the best market is over there. We have been over there playing and promoting since 2007, which I’m not sure a lot of people realise. It landed us some great stuff like The Hills, the Sonicbids endorsement, features in SXSW Magazine etc…and even just this week an iPhone app endorsement with Mobile Roadie through the El Media Group. So the same people that do The Doors, Madonna, The Black Lips and so on, are part of our application’s development.

It is a massive market and extremely hard to get noticed in but we have taken good steps at SXSW this year, so just gotta keep working at it.

- In terms of the music community here at home you’ve certainly set yourselves apart by aiming at a much larger, one might say ‘stadium rock’ sound, echoing (no pun intended) the likes of U2. Has that opened a few doors?
Yeah it definitely has but it has been a mixed bag, and sometimes a slow burner – as all bands find (not easy!).

The new songs have been getting a lot of radio play, especially at day time. We’ve played some great gigs including SXSW, Marley Park, Glasgowbury and the Canadian Music Week; won several awards with Xfm London, Today FM and got good media coverage with the new releases. But it is a strange mix over here, we’re not a band that’s seen about the scene so to speak but are working relentlessly behind it to promote it, push ourselves and other new artists such as Silhouette.

In the last six months I have been making myself more visible socially, and got to know bands such as General Fiasco, And So I Watch You From Afar and Fighting With Wire; and find chatting with them highly inspirational. Three amazing bands who proved they can be successful outside the local scene and hopefully we can prove that our belief in a bigger sound and progressing outside the island is justified also.

- Recently there has been a much richer layering to The Beat Poets (personally speaking). Have you played about much this year in development?
Totally, it was our major focus over the last year – hence the big reduction in gigging. We basically got rid of most of our set and re-focused to develop a ‘Beat Poets sound’. Before this our set was a mixture of influences that wasn’t blended into anything specific. It has taken longer than anticipated to do this, but definitely one of the best things we have ever done as a band.

– You’ve been fairly strict with your releases to date, putting the work in to build each one up individually. Is there a ‘five year plan’ as such?
We have ourselves a twelve month plan for the minute, with this business the way it is we look no further and leave ourselves flexible to change as things happen, but we have got our things into a lot of different stuff recently so it is a very exciting time.

– Can you reveal any plans at this stage for an album, or is it still a little too early in the calendar to be talking about that?
We are working regularly at it, and are in the studio a lot. It has been a learning curve both with developing the sound and the album, as some songs cut it others don’t. We have been highly critically in a positive way of everything we do now and it definitely brings out the best in us.

We will have more announcements at the end of the summer.

– New single ‘One By One’ will be out on May 3rd, how will you be marking the occasion?
Our headline show in the Spring & Airbrake is marking the start of the release and we’ll be launching a new ‘Beat Poets iPhone’ application next month to coincide with the release.

…I know have one but not sure if any other unsigned Northern Irish bands have one so hopefully it’ll be a first.

…gotta embrace technology these days!

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General Fiasco

April 7, 2010 | No comments

This is not a review from an Indie lover, nor is it the grand carousel of thoughts from a casual listener – but, admittedly all three of the lads who make up General Fiasco do live ten minutes down the road from me (when they aren’t out winning the hearts, minds and legs of young music fans on tour that is), and so I may be geographically biased towards saying (and pre-emptively killing my own review at merely the start of the process) that yes, this is a rather fucking good album.

…and I say that not with surprise at the quality, but at just how much I enjoy it.

Despite avoiding the majority of similarly stranded music for the vacuous pile of shit that it (usually) is, over the last year I have been no less drawn into the Fiasco camp – by catchy choruses in songs that riff on the everyday lives of who else but us young folk – than the teenagers of the female persuasion who would happily tear their mothers in two for a go at one of Leaky’s drumsticks.

Helmed by the distinctive and polished vocals of Owen Strathern and brother Enda’s dirty great big guitar, each track is perhaps so clean as to be too perfectly composed – if that is not too much of a contradiction on the mind. To level just one thought at the trio, it is that the album does come across as a little flat (albeit a high marked plateau) with no real peak, where I was expecting at least one – in the shape of ‘Rebel Get By’. However the flow between each song (and the efficiently sharp length) make it more of a release worth the full listen, rather than a record with only one or two individual dishes worth feasting your ears on. Perfect for when you want to just sit back and chill out with some good music ebbing into the room.

When listening to the album through for the first time I was genuinely surprised by how much of it I already knew by ear, not really being the biggest follower of their discography – and the album definitely is a carefully packaged round-up of their work to date. Previously released as singles, and considered the quintessential Fiasco songs; ‘Ever So Shy’, ‘Rebel Get By’ and ‘Something Sometime’ are simply blended into the mix against more diverse tracks such as ‘Sinking Ships’, with its effortlessly upbeat vocals and stripped down structure. No bad thing – admirable in fact that their strongest tracks don’t tower down over lesser known material which isn’t being paraded around as mere filler.

The real stand-out track of course is ‘Buildings’ – a song of grander tone than the rest of the album combined, and perhaps sounding out of place because of it – framed as it is by coffee shots of pop that are so intense that whilst they may blast by and be gone before you can blink, are truly infectious (see, that was clever wasn’t it, sigh).

…actually, ‘Buildings’ isn’t out of place at all. It just sounds like I’ve accidentally added a track from their next album into the playlist by mistake. Which is food for thought.

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General Fiasco

With the coming onslaught of new albums sailing out from these shores and into the public consciousness, General Fiasco’s debut is nothing less than the brash flagship of our wee fleet – that is if one considers Two Door Cinema Club’s own ‘Tourist History’ to be a stealth scout ship flanked by And So I Watch You From Afar and LaFaro’s twin destroyers…

…needless to say we are still anticipating albums from said LaFaro, as well as MojoFURY and Fighting With Wire.

Tasty.

March 24, 2010 | No comments

Last night at the Stiff Kitten saw A Plastic Rose ‘warm up’ the MTV Presents crowd in aggressive style for General Fiasco, giving a very receptive crowd exactly what they wanted…

…the venue echoed with the sound of a crowd in touch with the band, most songs being sung back towards the stage with passion by a surprisingly aware young fan base.

What started with a sleepy sound-check ended in an energetic, confident performance in front of a packed house, more than lubricating the crowd for the powerful pop of Magherafelt’s finest.

I really must make a point of highlighting the phenomenal lighting for the gig (the Stiff Kitten being a venue which has went from one extreme to the other in my short career – easily hosting the best lighting schemes in Belfast) which went a long way towards helping both A Plastic Rose and myself come up on the right side of the visual clock.

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It’s Tuesday

The weekend landed, exploded and vanished over the course of the Glasgowbury Music Festival, and by the Sunday morning several thousand people were wondering, “…what just happened?”

Having said that, A Plastic Rose, Tapasia, myself and an assortment of festival casualties relaxed up in the hills at the festival site until nearly five that afternoon in an attempt to hold off our emotional departure. We didn’t want to leave, in case the ride itself seemed less than it was; a mere memory awash with good vibes instead of a tangible experience you can hold onto.

…what went down in the mountains last weekend – despite all the reviews, the photos, recordings and footage that will be on view over the coming weeks – will only really be a part of those who were there.

I’m listening to Don’t Waste Time Doing Things You Hate by festival headliners And So I Watch You From Afar and the context of that song for me has been changed yet again, having already been altered towards the epic, by A Little Solidarity and their very own Mandela Hall album launch.

I feel very privilaged to be allowed to come and support all the local music at the festival, but in particular document and support my good friends A Plastic Rose and Colenso Parade who are two of the most promising bands in this country at present – their enthusiasm really shone through on Saturday and each of them had the audience bouncing with delight (and in A Plastic Rose’s case, jumping, clapping, singing and spinning – in that order…)

…I would be lying if I didn’t say that my bias towards particular bands is not just dependant on their music – I will happily gravitate more towards bands who I think are genuinely nice people, there’s no secret there – anyone enjoys the company of a friendly person.

It’s one of the main reasons why I believe our current situation exists, the intensity of our music community is no co-incidence.

My own favourites from the festival (outside the already mentioned pair) were Skruff, Junior Johnson, And So I Watch You From Afar, LaFaro, Cashier No.9, General Fiasco, Jaded Sun and having never before seen – or heard them – In Case Of Fire tickled me a bit. I’ll be hunting down their album and would recommend giving it a listen.

A massive thank you must be put in the direction of Paddy Glasgow, Stella, Dermot and the rest of the Glasgowbury Music Group who made this weekend up in the mountains possible – last year’s festival was the best weekend of my life, and this weekend has surpassed it ten-fold.

Glasgowbury is a testament to just how strong Northern Irish music is.

Big thanks to the ‘crew’ – Gerry Norman, Dave Reid, Troy Heaton and Ian McHugh, you are going to destroy the Leeds & Reading Festival when you play next month - Darren Doherty, Omar Ben Hassine and Kyle Jaswal; Paul McCarren, JJ Ilsley, Eoin McGinn, Michael McSwiggan and the wonderful Paul Su.

…and of course thanks to Mickey McCullagh, Philip Taggart, Fergal Lindsay and Paul MellonColenso Parade went down a storm, and I’ve got the pictures to prove it if you don’t believe me.

A humble thank you to Graham Smith, for continually putting up with whatever it is exactly that I waffle in his direction, sometimes I just get too excited. Many thanks also to Phil O’KaneRamsey Cardy, Shane Kelly, Ciara McMullan and Kristam Moffett – I hope you all enjoyed the festival as much, if not more than I did.

Of course, I can’t decide to thank people and not mention Rory, Tony, Jonny and Chris – the four horsemen of the musical apocalypse that are baring down on humanity from stages as far flung as Austria, and as close to the skies as Draperstown.

…to quote a wise man – or at the very least a wiser man than myself.

“We’re all freaks, that’s why we’re up here…”

What a great year for local music so far,…what’s next?

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